Picasso’s Suite Vollard on display at Manila Met
One hundred prints of copper etchings created by world renowned artist Pablo Picasso were unveiled at the Metropolitan Museum of Manila on Wednesday before an audience of Filipino art connoisseurs that included National Artists Abdul Imao and Napoleon Abueva. The collection, known in art history as Suite Vollard, will be on public display starting Thursday, November 10, 2011, up to January 7, 2012. The set of prints appears in two formats — large ones (760 x 500 millimeters) on vellum paper and a smaller version (445 x 340 mm) on Montval paper. The Suite Vollard collection on display at the Met is owned by the Fundacion MAPFRE. Unexpected but welcome Met vice chair Corazon Alvina revealed that bringing in Suite Vollard was an accident of sorts—the Fundacion Santiago, a long-time partner of the Met, had promised to bring in a different collection, but logistical problems had caused a delay. It was then that the group offered to bring in Suite Vollard as a “replacement." “It was fortunate that they told me this over the phone, so they couldn’t see that I was jumping up and down," Alvina told a news conference before the opening of the exhibit. During the exhibit opening, Fundacion Santiago President Pedro Roxas said it was their hope that the exhibit would not only bring Picasso’s work closer to the Filipino people, but that it would also “excite and enliven" the Filipino’s understanding of how art can transcend time and borders. The collection, noted curator Leyre Bozal, is one of the Fundacion MAPFRE’s gems. Suite Vollard is named after Ambroise Vollard, an influential Parisian art dealer in the early 1900s who commissioned the collection. "The complete series includes three portraits of Ambroise Vollard, five plates referred to as the Battle of Love, or Rape, created in 1933; forty-six plates from The Sculptor’s Studio (forty etchings from March 20 to May 5, 1933, and six between January and March 1934); four plates of Rembrandt (created July 27-31, 1934); fifteen plates of The Blind Minotaur, created from May 17-June 18, and September 22-October 22, 1933; and twenty-seven varied compositions," according to a news release from the Met.
